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Sirius XM radios have been designed to provide you with trouble-free performance without the need for servicing.If your radio does not appear to be functioning properly, please try these helpful troubleshooting tips.I got one for my '09 from someone that had it replaced, and it works perfectly. Spin the screws from underneath with Vice Grips or stud extractors, just a couple turns is all it takes, then slide the whole unit forward and out..do not need to remove the rear deck. produces this Product specifically for Sirius-XM therefore Sirius-XM provides all customer support for the product that you are inquiring about.Please note, messages displayed on your Sirius XM radio screen may vary slightly from what’s noted below.

I spent some quality time working on it in the trunk, but got it done eventually.

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  1. Moderate to heavy root marks present overall along with other deposits and small areas of light fire clouding. He sits with legs slightly bent and there is a third tripod support leg at the back. Each handle is decorated with raised designs in geometric patterns. The head appears somewhat human along with feline elements; short rounded ears, wide eyes, angular nose and protruding tongue. At the back is a third tripod (support) leg and above that is the mouthpiece for an internal whistle. Beautifully decorated with a wide band of incised angular designs around most of the outer rim. Each side of the vessel shows two nicely detailed, mythological figures in battle; all carved in high relief. A fine example with considerable amounts of painted slip remaining. These Inca examples are all of similar shape and made of hammered copper. They wear arm bands, elaborate (tassel-like) ear assemblages and head wraps. The standing figure has a restored hand and partially restored foot. An exceptionally rare, very closely matching pair of ancient figures. The orangeware vessel is painted overall in black and reds with complex geometric designs of linear and angular patterns. One eye is chipped otherwise completely intact with no cracks, breaks or repairs. Orange-tan pottery construction with nicely burnished surface. Approx 4.75" across & 5.75" across 5 each or 0 for both. A single restored break across the middle, else intact. Antlers on one side are partially restored, otherwise intact. Areas of mineralization and encrustation also present. An exceptional example and larger than most of this type. The basin is decorated with pointed spikes that represent the trunk of a young Ceiba tree; a sacred tree of the Maya. Matching museum inventory codes are written on each piece. Both flat panels are painted in vertical lines and waves (water motif). The lower spout has opposing loop handles that connect to the upper shoulder of the canteen. Constructed of redware terracotta with cream painted details. Of the Conti style with red and black linear decoration on an orange-tan ground. The upper body of the vessel is dome-shaped and decorated with six realistically rendered chili peppers. The monkeys are realistically sculpted and nicely detailed. Shown with hands on the knees and pierced button eyes. Divided into four panels, each decorated with a stylized bird motif along with other geometric designs. Moderate surface erosion, mostly on the bottom and along the interior rim. The Jamacoaque culture centered around the Manaba Province along the Pacific coast of ancient Ecuador. Vessel #1, Left - Tapered and stepped body with a large head and pierced nose. Repaired breaks around the neck and head, with minor losses replaced on the head. The handle is a tapered cone that is thought to represent a horn. Assembled from numerous original pieces with restored break lines and paint touch ups. An attractive example with light to moderate mineral deposits overall. Some light surface wear, minor scrapes and dings, all consistent with age. Light paint loss, surface wear and deposits present. Each has a rounded bowl, loop handles and tripod legs decorated with incised appliques. The smaller tripod is intact with light erosion and paint loss. The interior shows medium to heavy deposits and some light pitting (spalling) mostly near the bottom. He is identified as having a human face with slanted eyes and tattoos. Almost certainly he is of a person of great importance; a shaman or of the ruling elite. As is typical for this type, it depicts a standing youth with a gleeful expression. 0 — Peru 700 AD - 1500 AD A gorgeous Lambayeque whistle vessel from ancient Peru. The chocolate brown surface is nicely burnished inside and out. Assembled from around a dozen original pieces with breaks restored and some losses replaced. It is thought these tubers were fermented to produce an alcoholic beverage; similar to Chicha (beer) that was fermented from corn. 0 — Peru 200 AD - 400 AD A lovely Nazca pottery vessel from ancient Peru. Some spalling and pitting on the exterior has been restored along with light paint enhancements, but is intact and never broken. In excellent condition with no cracks, breaks or chips. A few restored cracks on the side and the top rim have been partially restored, otherwise it is intact and original. Considerable light-colored mineralization overall, heavier in the deep crevices. One spike of the central plum and one ear tuft partially restored along with a single hairline crack restored on the body of the vessel. Minor repairs to several of the collar points; otherwise intact and original. The cape is decorated with oval appliques (possibly representing cocoa beans) and a pectoral featuring a human face carved into a curved horn. "Mortars" such as this are thought to have been used to grind pigments or medicinal herbs and roots. Along with a strand of fifteen sodalite tubular and disk shaped beads. Long tubular drum topped by a standing figure in a state of transformation between human and animal form. Rounded bottom, deeply carved grooves above the shoulder and topped by a wide, slightly flared rim. One large and several small rim chips have been restored, otherwise intact. The nicely burnished chocolate brown surface shows light mineral deposits and considerable root marks inside and out.